This issue features three artists, with three aesthetic positionings, who share an ironic distancing. One, more scholarly, builds on strata of cultural history; the second, more narrative, fashions, with small strokes, a self-fiction with existential echoes; the last, more direct, affirms the subjectivity of a framing, a gaze. What is it exactly about the visible and the invisible? What wisdom do we need to live better? And what do all these little things that are derailed say about the state of the world?